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How to Price Your Art

A reader wrote to me the other day asking for my advice about pricing one of his paintings. I thought I would use this as a chance to put together a post about how to price your art to help anyone else having the same struggle. I cover:

Painting the Landscape (Free Workshop)

I’ll walk you through the entire process using one of my recent paintings. You’ll see how I go from idea all the way through to reflecting on the finished painting.

What Determines the Price You Can Charge

The price you can charge for your art is really just whatever you can get someone to pay for it. This usually comes down to:

  • Your reputation.
  • Your experience and skill level.
  • Your previous sales.
  • What customers can afford to pay.
  • Your competition.
  • Your pricing strategy (discussed below).
  • If your art is in a gallery or not.
  • Your costs. This just puts a floor on what you would be comfortable with charging.

These are just some of the variables which influence how you price your art. This is why it is difficult to provide advice for art pricing.

Pricing Strategies

There are a number of different strategies for pricing your art:

Cost-Based: Cost-based means you would work out the actual cost of creating a painting then base your price on that figure so that you safely cover your costs plus whatever margin you want. I do not like this method for pricing art for a number of reasons:

  • It can be tedious to work out the cost of each painting, as the supplies you use may vary significantly. The last thing I would want to do after finishing a painting is work out the cost of creating it.
  • It could result in inconsistent pricing. One painting which appears similar may be priced at a much higher/lower point due to different material costs.
  • It is difficult to take into account the value of your time. It may not cost you much in materials to create a painting, but it may cost you substantially in your own time.
  • It requires that you keep accurate records of all your materials and other costs.

Given the above, I would not recommend that you use cost-based pricing. But it is useful to understand the costs that go into your art so you can ensure your pricing strategy does cover these costs.

Value-Based: Value-based pricing involves pricing your art on the amount of value you are able to provide your customer. Now obviously with art, the actual value could be as much or as little as you could imagine, and that is why we see such wild swings in art valuations. A painting could be worth substantially more to one person than it is to another person. The problem with this pricing strategy is that it is very difficult to place a value on your own art.

Competitive Pricing: With competitive price, you are comparing yourself to other artists who are similar to you. Ideally, you would want to price your art so that customers choose you over them. Remember, art is expensive and there is only a limited amount of wall space for art, so customers usually need to be very selective with the art they purchase. Many times an art sale just comes down to affordability. Competitive pricing is a great starting point, especially if you are new to the commercial art scene and are unable to compete on experience and reputation. Just be realistic as to what artists you compare yourself to. Also, be aware that some artists inflate the price of originals to sell prints. The inflated prices make the prints appear extremely affordable and they often do not have any intention of selling the originals at the inflated prices.

Variable-Based: With variable-based pricing, you would price your art based on a certain variable, which is usually the size of the painting. This is my preferred method of art pricing, as it is consistent and easy to determine. The most common variable-based pricing strategy for art is $X per square inch. For example, if I had a painting which is 12×16 inches and I wanted to charge $2 per square inch, the price of the painting would be $384 (12x16x$2). All you need to do is come up with a variable price which you will charge. Some of the things which will influence this figure are discussed earlier in this post (“What Determines The Price You Can Charge”). You could also charge on a per-hour basis. However, this may lead to inconsistent prices if you spend lots of time on one painting and not much on another.

Other Tips for Pricing Your Art

Here are some other tips for pricing your art:

  • Do not price your art too low due to fear. Pricing your art at a low point could be a viable strategy, but do not do it just out of fear that people will not buy at higher price points. Pricing your art too low could also deteriorate and cheapen your public image.
  • Do not think you can ignore your competitors and the general art market. This is important information which will influence how you set your prices.
  • There is such a thing as pricing too high. You need to be reasonable. If you do not have much experience, then just start relatively low and work your way up.
  • If you are not sure how to price your art, then just go with a price per square inch. This is easy to calculate and will ensure that there is some kind of consistency with the pricing of all your paintings.
  • Try not to price purely based on sentiment. Just because an artwork has special meaning to you, does not mean other people will place the same sentimental value on your art. If a painting has sentimental value to you, then just consider keeping it.
  • You might want to consider pricing your small artworks at a lower range so you can penetrate the market and build your customer base and set your large artworks at a premium for those who want more from you.

My Recommendation

If you send me a photo of one of your paintings and ask me how you should price it, my answer will be…. it depends. There are so many variables that influence how you should price your art. You should review some of the pricing strategies I mentioned above and determine which is right for you. But whatever pricing strategy you go with, I think it is important that you consider:

  • You are consistent with your pricing.
  • You do not need to spend much time coming up with a price for each painting.
  • Your art is affordable, especially if you are new to the commercial art scene.
  • At the very least, the price should cover your costs.
  • I think it is better to price high than low. If you price too low, then you may diminish the value of your work and you will have less incentive to market your work.

To help you out, I recently created an Art Pricing Calculator. This calculator will help you determine the price of your artwork using a price per square inch methodology. I find this to be the simplest and most consistent pricing methodology. It’s what I and many other artists use.

Also, there is nothing wrong with not selling your art. You may want to keep art for sentimental reasons or gift it to friends or family. And do not get upset if your art does not sell. It is extremely difficult to sell art. Just remember that Vincent van Gogh is only thought to have sold just one painting during his lifetime, being the Red Vineyards Near Arles. Yet now he is one of the most famous artists of all time.

Vincent van Gogh, Red Vineyard, 1888
Vincent van Gogh, Red Vineyard, 1888

How Do You Price Your Art?

These have just been my personal thoughts and I am in no way an art pricing expert. Let me know how you price your art in the comments.

Want to Learn More?

You might be interested in my Painting Academy course. I’ll walk you through the time-tested fundamentals of painting. It’s perfect for absolute beginner to intermediate painters.

Thanks for Reading!

I appreciate you taking the time to read this post and I hope you found it helpful. Feel free to share it with friends.

Happy painting!

Dan Scott

Draw Paint Academy

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Dan Scott is the founder of Draw Paint Academy. He's a self-taught artist from Australia with a particular interest in landscape painting. Draw Paint Academy is run by Dan and his wife, Chontele, with the aim of helping you get the most out of the art life. You can read more on the About page.

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15 comments on “How to Price Your Art”

  1. I usually price a painting at double what it cost to frame it professionally and at an amount $50 more than the last one of a similar size. If I want a painting to sell, I price it at an amount that seems reasonable, not at an amount that would require it be insured.

  2. I have found there is no pat answer for this one – I have sold at what I considered to be ridiculously high prices, and have yard-saled art at close to cost of materials. And everywhere in between. I paint so much, that I am sometimes overwhelmed by the sheer volume of art I end up with and give it away just to get rid of it. I am not a fan of high prices just because it is art – a painting must have all of my pre-requisites (skill, experience and most important; love of art) before it deserves a high price. I have often painted with the sole purpose of surviving – in other words, painting what others fancy they want and selling it cheap – and counted myself lucky. Artists tell me that low prices degrade the art world – and I regularly see works with huge prices that exhibit not a bit of skill or love for art. Art becomes precious very quickly when money is the bottom line. So here is my solution; I want to make a living wage. I have years of experience in my craft, I am a master – but still a work in progress. What hourly wage would you expect to pay a carpenter, or a gardener – I will be happy with that.

    • Hi Raquel

      I think Etsy is great for funny little unique things, but it can be hard to separate yourself. Most of the online places to sell your art rely on you doing the marketing for yourself.

      So you may want to ask the question, do you have a following? If not, you may need to spend more time to building social media presence, improving your website, etc.

      Some other places you could look at:

      – Local Galleries
      – Local Competitions
      – Any one in this huge list at

      I hope this helps Raquel. Never give up.


      Dan Scott

  3. Dear Dan,
    Thanks. Your posts are indeed valuable. As I wrote to you earlier, I am rather new in this field and had been seeking answer to this one question.

    I know what I need to do. If you are visiting India any time, it shall be a pleasure to host you.

    Thanks, Regards,

    Vijay Bhalla

  4. One thing that is important is not to undercut a gallery price when you sell your work. Some people wait until a show is over then try and get the painting directly from artists more cheaply. This is not ethical practise. Charge the same for works regardless of where it is sold from. If a gallery sells your work, they get a commission, if you sell it, you earned the commission.

  5. I disagree with some of your points.

    Pricing your artwork is incredibly difficult, since there are just so MANY things to consider (e.g. skills, experience, labour costs, overhead, expenses, education, location, time, market, and so on…)

    So I have been searching the internet for a blog that really puts things in perspective. A blog which explains what do to, and why some things matter more than others. At the same time I would also befinit from a simple method, because things can get so complicated.

    In the end I have found a tool that I would recommend to all, which is also completely free to use. To me it offered the exact right perspective and the perfect tool (as an artist I have been using it ever since). Hope you will love it to, it called Pricing Art and you can find it at


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