Tonalism – Key Facts, Ideas and Artworks

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Tonalism was an art movement that emerged in the United States during the 1870s and was characterized by hazy and atmospheric landscapes and muted color palettes. In this post, I will discuss some of the key facts, ideas, artists and take a closer look at some master Tonalist paintings. I cover:

Albert Pinkham Ryder, The Lovers' Boat, c.1881
Albert Pinkham Ryder, The Lovers’ Boat, c.1881

Key Facts and Ideas

  • The movement lasted from 1870 to 1915. It was mostly based in the United States, but there was also a rise of Australian Tonalism in the 1910s.
  • It was inspired by the moody and atmospheric landscapes produced by Barbizon School artists, like the one below. 
Théodore Rousseau, Barbizon Landscape, c.1850
Théodore Rousseau, Barbizon Landscape, c.1850
  • Tonalist artists were not focused on creating perfectly rendered and accurate paintings, nor were they focused on telling stories or ideas. They believed in “art for art’s sake”.
  • Music was also a strong influence on Tonalism. Notable artists from the movement often used musical references to describe their works. James McNeill Whisler even went so far as to name some of his best works with musical terms, such as Arrangement in Grey and Black No. 1 and Nocturne in Black and Gold: The Falling Rocket. I take a closer look at both of these paintings later in this post. 

“To say to the painter that Nature is to be taken as she is, is to say to the player that he may sit on the piano.” James McNeill Whisler

  • Landscapes and nature were the main subjects, but portraits were also painted from time to time.
  • Like the Impressionists, the Tonalists were interested in capturing the effects of light, particularly moonlight or the hazy light from dawn or dusk. Many of the Tonalist artworks feature a strong contrast between a dark and moody foreground and the “glow” of an ambient light source in the background, like in the painting below by George Inness. 
George Inness, Watching the Sun Glow, 1887
George Inness, Watching the Sun Glow, 1887

Defining Characteristics of Tonalism

Tonalist paintings tend to have the following defining characteristics:

  • A moody and dramatic atmosphere.
  • Loose and visible brushwork.
  • A lack of detail or fine rendering, particularly in the darks.
  • Muted colors (dull yellows, greens, oranges, browns and grays).
  • A strong contrast between light and dark, or saturated and dull, usually to bring attention to the light source in the painting.
  • A lack of any underlying meaning or storytelling.
  • A strong focus on nature.
George Inness, Moonrise, 1887
George Inness, Moonrise, 1887

Figurehead Artists of Tonalism

For a lesser-known art movement, it did produce many highly renowned artists, such as: 

  • James Abbott McNeill Whistler
  • George Inness
  • Arthur Frank Mathews
  • Albert Pinkham Ryder
  • Ralph Albert Blakelock
  • Thomas Wilmer Dewing
  • Julian Alder Weir
  • Robert Swain Gifford
  • Alexander Thomas Harrison
  • John La Farge
  • Lowell Birge Harrison
  • John Francis Murphy
  • John Henry Twachtman
Albert Pinkham Ryder, The Waste of Waters Is Their Field
Albert Pinkham Ryder, The Waste of Waters Is Their Field

A Closer Look at Tonalist Artworks

James Abbott McNeill Whistler, Whistler's Mother, 1871
James Whistler, Arrangement in Grey and Black No. 1: Portrait of the Artist’s Mother, 1871

Whistler’s portrait of his mother is one of his most iconic paintings. The name of the painting suggests the influence of music, with Whislter arranging the gray and black shapes like a composer arranges musical notes. If you squint at the painting, you can clearly see the arrangement of dominant shapes. In particular, notice how his mother’s black dress merges in with the black part of the wall, creating one solid shape.

There is a pleasing balance between large areas of simplified detail (the wall, floor and black dress) and small areas of intricate detail (the subject’s face, hands, the framed picture and the decorations on the curtain).

Key Takeaway: Small areas of intricate detail can have the same, or greater, impact as large areas of simplified detail. This can be a powerful compositional technique which you can apply to your own paintings.

James Abbott Mcneill Whistler, Nocturne in Black and Gold – the Falling Rocket. C.1872 - 1877
James Abbott Mcneill Whistler, Nocturne in Black and Gold – the Falling Rocket, c.1872-77

Here is another of Whistler’s paintings named in reference to music; Nocturne can refer to a musical composition which is inspired by the night. Whistler wrote the following about the painting:

“By using the word ‘nocturne’ I wished to indicate an artistic interest alone, divesting the picture of any outside anecdotal interest which might have been otherwise attached to it. A nocturne is an arrangement of line, form and color first.” James McNeill Whistler

The painting features firecrackers falling over London’s Cremorne Gardens. But you would struggle to identify that without knowing the context or title of the painting due to the level of abstraction used by Whistler.

John Henry Twachtman, Arques-La-Bataille, 1885
John Twachtman, Arques-la-Bataille, 1885

This is a great demonstration of how to use subtle grays in a painting, without it appearing bland or uninviting. The relatively saturated greens in the foreground contrast against the dull greens, blues and grays in the atmospheric background.

There is a sense of calm about the painting. The sky is broken up with some light tones to suggest clouds just above the horizon line. The water is still, with the reflection unbroken.

George Inness, Sunrise, 1887
George Inness, Sunrise, 1887

One of the key takeaways from the Tonalism art movement is how to paint the illusion of light. Above is just about as close as you can come to painting the same intensity, richness and vibrancy of light itself. Inness did so by contrasting a dull, dark and green foreground against a vibrant background of rich yellows and oranges.

Tip: If you are trying to paint the illusion of warm light like the sunrise above, then be careful with using white to lighten your colors. Sometimes brighter, richer and more saturated colors are more effective than just lighter colors. Also, titanium white will make your colors cooler, so that can work against you when painting warm light sources.

Tonalism Quotes

“A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is not to instruct. Not to edify. But to awaken an emotion.” George Inness

“The true use of art is, first, to cultivate the artist’s own spiritual nature.” George Inness

“Science for the soul.” Sadakichi Hartmann

“Art should be independent of all clap-trap – should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism and the like. All these have no kind of concern with it; and that is why I insist on calling my works ‘arrangements’ and ‘harmonies.” James McNeill Whistler

“It looks like Barbizon, the land of Millet…This land has been farmed and cultivated by men, and then allowed to revert back into the arms of mother nature. It is only waiting to be painted.” Henry Ranger

George Inness, Close of a Stormy Day, c.1881-1882
George Inness, Close of a Stormy Day, c.1881-1882

Thanks for Reading!

Thanks for taking the time to read this post and I hope you learned something new! If you found the post useful, please share.

Want more painting tips? Come join me in the Painting Academy.

Happy painting!

Dan Scott

Draw Paint Academy

28 comments on “Tonalism – Key Facts, Ideas and Artworks”

  1. Thank you! I did not know about the Tonalist movement or that Whistler was part of it. It resonates with md strongly.

    Reply
  2. I have always loved these works, particularly those of Whistler and Innes. As I look through my own journals, I see that I often like to create moodiness since I live near the ocean. I love working with the sky’s clouds and lights and colors. Thank you for introducing me to tonalism. Now I will take a closer look at the techniques and try to improve my own. I really enjoy your insights. Thank you for taking the time to inform us.

    Reply
  3. It’s really helpful!!
    Every day I am reading Dan Scott ebook I always feel that I have got some knowledge about art and painting skills. He is a great art teacher and it seems he knows everything that I want to learn.

    Reply
  4. Looking at these pictures, I can’t help feeling that some of them didn’t leave the artists easel looking like this. The period you mention, 1870 to 1915 is the pinnacle of the period when many pictures quickly darkened badly and fell apart, usually put down to the excess use of megilp, bitumin, highly leaded (drying) oils coupled with the domestic burning of sulphurous coal, the move from studio preparation of painting materials by the artist to commercial materials sold by dishonest manufacturers adulterating and counterfeiting the artists’ materials they sold. Perhaps tonalism was a movement trying to adapt to these facts, in the same way that poor modern software is given the excuse ‘it’s not a bug, its a feature.’

    Reply
    • Thank you for the info on the Tonalist movement which I never heard of. Most of the paintings are quite

      beautiful with the contrasts of light and dark with grayish colors/

      Reply
  5. Who knew that reading your daily lessons would become more important to me than facebook or any other social media. Thank you so much for reminding me what sparks my passion.

    Reply
  6. Being new to your site, I find it very informative, with the right amount of depth and accurate reporting or teaching. Continue the good work. CH

    Reply
  7. Again your names is attached to learning about art and the enjoyment there of. Thanks for each and every one.

    Reply
  8. Thanks Dan,
    I like this concept, whilst I love “bright” art , this tonal art has a lot of appeal for me. I appreciate your post and the way you presented it.
    Thanks again, Dave M (AUSRALIA)???

    Reply
  9. Thank you for a wonderful, insightful lesson. Every time I go to your website I learn something new, interesting and useful. Many thanks.

    Reply
  10. I love the saturation of color in Inness’ Sunrise. Thanks for the review on Tonalism. Good lessons to be observed.

    Reply
  11. Thanks for this great article. I went to the Met and fell in love with all the tonal art paintings and I’m actually painting one as I write this. This article is very helpful as I could have used this before I started my first tonal painting. Really useful information and I love all these paintings.

    Reply
  12. Very interesting Dan! I learn more about art every day. It makes me wish I’d studied Art History rather than just History!!!
    Thanks very much!

    Reply
  13. Really enjoyed this lesson on tonalism. Growing up on the Maine coast, I am always attracted to moody atmospheric scenes and now this has given me some insight on how to express it in my art. Thank you!

    Reply
  14. You are wonderful, Dan, that you give so much to us with your emails.
    Unfortunately, Tonalism does not speak to me and the artists’ quotes sound so pompous! I enlarged all of the paintings to better see all the details and the way light is interpreted. Even so, many of them are dark and dismal.
    Glad that’s out of the way!!

    Reply
  15. Thank you, Dan Scott, for featuring the Tonalist Movement in this article. I love the moodiness and philosophy of the tonalist artists. George Innes in particular is one of my favorite artists.
    There is a renewed interest in tonalism today and many excellent artists are working in this style. For those interested in contemporaries working in this style, I would suggest visiting the website of the American Tonalist Society. Their website is informative and it features the paintings of some of today’s finest tonalist artists.
    I love receiving your emails, Dan. Thanks so much.

    Reply

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