How to Use Implied Lines to Strengthen Your Compositions

We all understand the importance of lines in art. A line is the first thing we learn to draw. But we tend to overlook the importance of implied lines. These are lines that are not actually there but rather implied or suggested by the context of the artwork.

In this post, I will go into more detail on what implied lines actually are and how you can use them to strengthen your compositions.

Why Are Lines Important?

Before I go further, I will briefly touch on the importance of lines. Simply put, our eyes like to follow lines. If you have two objects, your eyes will be more inclined to travel between them if there is a line joining them. I sometimes refer to the use of lines to lead people through your art as leading lines.

Some of the other important uses of lines are to:

  • Pick up the outline of a subject
  • Reinforce the contour of a subject
  • Create a sense of movement (for example, to illustrate a windy sky)

Actual Lines Versus Implied Lines

Actual lines are fairly straightforward. They are lines that we can actually see. If you draw a line on the paper in front of you, that is an actual line.

Implied lines act in a similar way, but instead of being physically there, they are created by our minds via suggestive prompts. As a very primitive example, take the following series of dashes:

– – – – – – – – – – – – – –

As you look at these dashes, your mind is actively joining them together to create an implied line. When you see something like this, you will probably describe it as a single dashed-line, rather than a series of individual dashes.

The painting below by Gustave Caillebotte demonstrates clever use of actual and implied lines. I have indicated the actual lines in the first image and the implied lines in the second image.

The actual lines set the structural foundation of the painting. Without these lines, it would be difficult to tell the wall from the floor.

The implied lines are not physically there, but they help direct our attention around the painting. The strongest implied lines are lines of vision from the two subjects. You will be drawn to look where the subjects are looking.

Other implied lines are created by positioning the two subjects in a way that allows the eye to travel from one point to another. For example, notice how the lower knee of the man, his hands and the lower foot of the boy all line-up. This creates a strong implied line.

Gustave Caillebotte, The Parquet Planers, 1876 - Actual Lines
Gustave Caillebotte, The Parquet Planers, 1876
Gustave Caillebotte, The Parquet Planers, 1876 - Implied Lines

How to Make Use of Implied Lines

Here are some of the different ways you can make use of implied lines to improve your compositions.

You can use leading lines to suggestively lead people through your painting. In the painting below by Claude Monet, notice how your eyes follow the line of boats into the distance. If these boats were scattered all over the place, your eyes would be less inclined to follow.

Also, on a separate note, observe how the broken shoreline creates an interesting implied line which contrasts against the line of boats.

Claude Monet, Etretat the Aval Door Fishing Boats Leaving the Harbour, 1885 - Implied Lines
Claude Monet, Etretat the Aval Door Fishing Boats Leaving the Harbour, 1885

You can use implied lines to pick up and reinforce the contour of your subject. This is a more sophisticated approach than doing it with actual lines.

For this to be effective, you need to have a great understanding of form. Otherwise, you may reinforce the wrong contours.

As an example, say you are drawing a hand and arm. You might have a line which starts to pick up the start of the forearm muscles. But then that line breaks as you move into the middle of the arm. There would be an opportunity here to create an implied line by picking the line up again towards the hand.

You can see this in my drawing below. I will start a line then pick it back up later down the arm. Also, notice how I use implied lines to pick up the contour of the hand. I pick up the contour on one side (like around the wrist) then continue the line on the other side.

Hand Drawing
Hand Drawing - Implied Lines

Below is another example of using implied lines to reinforce the contour of the subject.

Vincent van Gogh, The Branch of a Flowering Almond, 1888
Vincent van Gogh, The Branch of a Flowering Almond, 1888

You can use implied lines to contain attention within a certain area in your composition. Say you have three key features in a painting. If you join these features with implied lines, you essentially create an invisible boundary that contains people’s attention.

In the painting below by Anders Zorn, implied lines are used to contain your attention within a small area on the left with the two children. These lines are formed by the positioning of the subjects. The downwards lines of vision reinforce this area. If I look at the right of the painting, I can feel myself being actively pulled towards the left.

Tip: Don’t forget that the border of your painting is also an implied line which you can take advantage of.

Anders Zorn, A Portrait of the Daughters of Ramon Subercaseaux, 1892 - Implied Lines
Anders Zorn, A Portrait of the Daughters of Ramon Subercaseaux, 1892

Implied lines are a subtle way to create a sense of movement and atmosphere in your artworks. I find implied lines to be more suitable for this than actual lines, which tend to be too blunt and direct. Vincent van Gogh’s work is first to come to mind here. Notice how easily your eyes can follow all the broken lines around his painting below. This is because the lines are arranged in a way that allows your eyes to easily join the dots.

Vincent van Gogh, Wheat Field with Cypresses, 1889
Vincent van Gogh, Wheat Field with Cypresses, 1889

More Examples of Implied Lines

Below is a very subtle painting by John Singer Sargent. There are powerful implied lines created by the lines of vision from the two subjects, despite there being very little detail in the faces. That is the power of context.

John Singer Sargent, Stringing Onions, 1882 - Implied Lines
John Singer Sargent, Stringing Onions, 1882

Also, if you draw lines between the two subjects, it reveals a strong triangular theme. This seems to be reinforced by the general shadow.

John Singer Sargent, Stringing Onions, 1882 - Implied Lines, Triangle

Below is another painting by John Singer Sargent which demonstrates clever use of lines of vision. The male subject is looking at the painting and the female subject is looking off into the distance, seemingly uninterested. If you draw lines around these subjects, you can see the area where your attention is focused.

John Singer Sargent, Paul Helleu Sketching His Wife, 1889 - Implied Lines
John Singer Sargent, Paul Helleu Sketching His Wife, 1889

In the painting below, notice how easily you can join all the tops and bottoms of the boats with implied lines. It contains your attention within this tight area. This is a great example of taking what is already there and simply arranging the objects in a way which is beneficial to your composition.

Charles Cottet, Rayons Du Soir, 1892 - Implied Lines
Charles Cottet, Rayons Du Soir, 1892

Key Takeaways

  • Implied lines work in a similar way to actual lines, but they tend to be more subtle and sophisticated if used correctly.
  • You can use implied lines to lead people around your artworks, reinforce the contour of your subject, contain people’s attention to a certain area or create a sense of movement or atmosphere. There are many other ways you can use implied lines, but these are the major ones.
  • Less is more with implied lines. You do not need to make it obvious.
  • Sometimes, using implied lines is as simple as arranging the objects in a clever way.

Want to Learn More?

You might be interested in my Painting Academy course. I’ll walk you through the time-tested fundamentals of painting. It’s perfect for absolute beginner to intermediate painters.

Thanks for Reading!

I appreciate you taking the time to read this post and I hope you found it helpful. Feel free to share it with friends.

Happy painting!

Dan Scott

Draw Paint Academy

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Dan Scott is the founder of Draw Paint Academy. He's a self-taught artist from Australia with a particular interest in landscape painting. Draw Paint Academy is run by Dan and his wife, Chontele, with the aim of helping you get the most out of the art life. You can read more on the About page.

23 comments on “How to Use Implied Lines to Strengthen Your Compositions”

  1. Great post, Dan! My favorite painting using implied lines is Degas’ “Bellelli Family”. The mother and the daughter sitting staring at something out of the scene creating some mystery, the daughter standing looking at the viewer, and the father looking toward his family. It alk keeps your eye moving around throughout the painting without the viewer realizing what Degas has done. There are so many other things going on in this work as well.

  2. Really useful…something most of us probably use unconsciously …I found this very helpful and will work on more implied line…..good name for them, did you ‘invent’ it? Thanks for the information.

  3. Thanks Dan for this very interesting post. It was all rather new to me! I am a self-taught artist and follow Tour and other’s post with great interest!
    I am told many times that I am a natural talent, and although that sounds great, painting is still hard work with lots of learning involved.
    For that very reason: thank you so much! Pls keep going and a Happy and fruitful New Year!

  4. Thank you for this very informative post. It is exactly what I need as far as information and lessons to progress in my painting. It also shows me what I never see in all the examples you give. I hope I can apply it to my wildlife paintings.
    Very grateful ,

  5. Thanks for the great insights, Dan. I’ve been painting with acrylics for a little over a year with a small group of seniors who meet weekly under the direction of two instructors. Your suggestions are so useful and can be put into practice immediately. There is always some great ideas in every blog.

  6. Thanks Dan, I find myself looking for implied lines in every painting I have done, I may have to tweek some now with my new found knowedge.

  7. Thanks, Dan. Your techniques and methods are very pertinent. Thank you so much for sharing your knowledge. I am a self taught artist, and try to apply most everything I learn. I’m told that I have a natural talent, but we are our own worst critics, so I am always looking on ways to improve my drawings and paintings. I really appreciate your suggestions. Thanks again!

  8. thanks to the good lord for finding you and your teachings being a self taught painter(not an artist) I can’t begin to tell you how much I have learned and how much time I wasted not taking instructions by someone like you thanks a zzzilllion frank

  9. With this post on implied lines, I’m thinking of paintings – my own – the ones I haven’t been happy with. They seem to be to loose and wonky. Now I know I miss having implied lines which certainly help with the structure! Thanks, Dan

  10. Dan. Thank you so much for your tips on keeping background simple and focusing on the focal point. This is also a reminder to re-read my Art Spirit book by Robert Henri.

    You have brought, for me, a new awareness to the artistic advantage of using implied lines to strengthen a composition. I always looked for directional lines or snaking lines which indicate movement in a painting but implied lines is a new one. A great learning curve coming up —


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