Renoir’s Mont Sainte-Victoire and a Lesson on Directional Brushwork

For your inspiration today is Mont Sainte-Victoire by Pierre-Auguste Renoir. Mont Sainte-Victoire is a mountain in France that overlooks Aix-en-Provence. When people think of paintings depicting this mountain, Paul Cézanne’s series is the first to come to mind. But I think Renoir’s more colorful interpretation deserves some attention. This painting is a great lesson on … Read more

On the Easel: Boats at Wynnum

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and things I learn.) Let’s take a look at how I painted Boats at Wynnum. I painted this toward the end of 2022 and gifted it to my parents for Christmas. Reference Photo … Read more

On the Easel: Elora and White Roses

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and lessons learned.) Let’s take a look at how I painted Elora and White Roses. This is one of my favorite recent paintings, partly because it depicts my beautiful daughter Elora in a … Read more

On the Easel: Chontele and Elora in the Garden

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and lessons learned.) Let’s take a look at how I painted Chontele and Elora in the Garden. This was only meant to be a study done in preparation for a larger work, but … Read more

On the Easel: Parents’ Garden

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and things I learn.) Let’s take a look at how I painted Parent’s Garden. This was a challenging painting of a familiar subject. Reference Photo Below is the reference photo I painted from. … Read more

On the Easel: Maryvale, Cows

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and things I learn.) Let’s take a look at how I painted Maryvale, Cows. This is one of my favorite paintings from this year. Reference Photo Below is the reference photo I painted from. … Read more

A Closer Look at Woman at Her Toilette by Berthe Morisot

Let’s take a closer look at Woman at Her Toilette by Berthe Morisot. This is Impressionism at its best with fleeting brushwork and soft colors woven together in harmony. I’ll cover: Focal Point and Secondary Points of Interest The focal point is, of course, the woman at her toilette. She’s positioned in a prominent spot … Read more

On the Easel: Brisbane City, Mist

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and things I learn.) Let’s take a look at how I painted Brisbane City, Mist. This painting follows an impressionist style, with dynamic brushwork, exaggerated color, and simplified detail.  Reference Photo Below is the … Read more

Why Broken Color Is So Effective for Painting the Landscape

​I often write about the broken color technique. Which basically refers to using a brush or palette knife to create a patchwork of distinct, interwoven colors. You’ll see it up close in many of the top Impressionist paintings. Like Claude Monet’s Haystacks. Or Pierre-Auguste Renoir’s Chestnut Tree in Bloom. Broken color is one of my … Read more

On the Easel: Maryvale, Overcast

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and things I learn.) Let’s take a look at how I painted Maryvale, Overcast. It’s a simple landscape with rich greens, dark trees, and a moody sky.  Reference Photo and Study Here’s the … Read more