Fechin on Technique


Many aspiring artists think about technique as if it’s a rigid toolbox. But it’s much more like a language, or music, or a dance. Fechin has some wise words on the matter:

“Technique should be considered only as a means to an end but never as the end itself. To me, technique should be unlimited, fed by a constant growth in ability and understanding. It must never be mere virtuosity but an endless accumulation of qualities and wisdom.”

​Fechin’s work is a wonderful demonstration of these words. Here’s a great example. Notice the thick, impasto strokes; the bursts of color; the texture; the delicate rendering of the subject’s eyes; the mix of broken and soft edges. All woven together with harmony.

Nicolai Fechin, Portrait of a Young Girl, 1910
Nicolai Fechin, Portrait of a Young Girl, 1910

Few artists have been able to use such a wide range of techniques with such mastery. A true artist’s artist.

If you ever want to learn more about masters like Fechin, you should join Composition Breakdown. I have rolled back the price for subscribers over the next few days.

Happy painting!

Dan Scott


Enjoyed this post? Join over 123,000 artists who subscribe to the Draw Paint Academy newsletter.