On the Easel: Montville, Red, Yellow, and Green

(My “On the Easel” posts give you a behind-the-scenes look at what I am working on, what went well, what went wrong, and lessons learned.) Below is one of my recent paintings, Montville, Red, Yellow, and Green. It depicts the beautiful landscape of Montville, Queensland, Australia. We spent a few nights there around the end … Read more

How I Painted This Impressionist Landscape (Plus Video)

I recently published a video walking you through my painting, Perth Gardens. You can watch it below. The painting took about four hours spread over several sessions. The video shows you some of the broad steps and decisions I made along the way. If you don’t have time to watch the video, you can read … Read more

How I Choose Subjects to Paint

In this post, I’ll share what my subject selection process looks like and the questions I ask myself in determining if a subject is worth painting. This is an important topic that doesn’t get enough attention. Most of my “painting” time is spent searching for inspiration and interesting subjects to paint. Overview of My Subject … Read more

A Closer Look At Shearing the Rams by Tom Roberts

“Paint what you love, and love what you paint” Tom Roberts Let’s take a closer look at the iconic Australian painting, Sheering the Rams by Tom Roberts. When I think of outback Australia, this painting comes to mind. I’ll cover: Dimensions: 48.2 x 72.1 inches (122.4 × 183.3 cm) Year Created: 1890 Medium: Oil on … Read more

Creating a Painting Is Only Part of the Story

A student emailed me earlier with a question about light and color. She had done some small flower paintings outside and they turned out well. But when she took the paintings inside and hung them up, she was shocked to see the colors looked completely off. What appeared as warm and luscious colors outside now … Read more

Learning Control and Restraint

In a recent email titled Revisiting a Familiar Subject, I shared two of my paintings featuring the jetty at Kingfisher Bay, Australia. One was done many years ago when I was a beginner, and one was done earlier this month. The biggest difference between the two paintings is in my handling of color. In my … Read more

Anna by Swedish Painter Bruno Liljefors

For your inspiration today: Anna by Swedish painter Bruno Liljefors. (Click here to download a high-resolution photo of the painting.) What I love most about this painting is the interesting mix of realism and loose, painterly brushwork. Liljefors painted the subject (Anna) with fine rendering and clarity whilst the rest of the painting is more … Read more

La Chula by María Sorolla

I came across this stunning painting the other day titled La Chula by María Sorolla: At first glance, I assumed it was by THE Sorolla. But turns out it was by one of his daughters, María. I went down a few rabbit holes regarding her life and work, but I’ll save that for another day. … Read more

What’s the Visual Path of Your Artwork?

This is a detailed guide on the idea of a visual path or journey that a viewer takes through your artwork. This is something I actively think about whenever I’m drawing or painting. I consider questions like: Where does the journey start? What direction is the viewer pulled? How do they work their way around … Read more

Mediterranean Pergola With View of a Mountain Village by Konstantin Gorbatov

For your inspiration today is a painting by Russian Post-Impressionist Konstantin Gorbatov, Mediterranean Pergola With View of a Mountain Village.  What luscious colors! You can almost feel the sunlight and fresh air.  It’s a busy painting, with plants, flowers, vases, dappled light, the mountain in the distance, and the patterns created by the sky. There’s … Read more